reviews
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The British Northwesterners’ latest album is a tight sludge of psych-punk that is hard to get rid of completely.
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A rising star amongst the American electropop scene, the San Franciscian’s third album might be the evolution of pop music.
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The adaptational nature of covering songs lend credence towards three directions in re-recording them under new circumstances or contexts.
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Known to their cult following for their more lo-fi production, the Californian band’s newest LP does feel a bit off its tape.
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J. McClendon’s non-glass beach project is a restrained gut-punch to the stomach in mental illness and repression.
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The Chilean post-punk band’s first album in a decade is an experimental affair with its colourful array being mixed into its rhythm.
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Playing with ballad clichés, the Californian concocted one of the wittiest pop tunes of the late 2000s.
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Bocchi the Rock, K-On!, and Girls Band Cry are among the most popular shows of their season to the point where their albums sell. How do they click?
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Just before a short break, a new post to celebrate 2025 is out with some end-of-year lists!
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Capsule Reviews (December – Part 2) – Jim Ghedi, kinoue64, acloudyskye…
2025, Abstract Hip Hop, album-review, Alternative Rock, art pop, Art Rock, Baroque/Chamber Pop, Conscious Hip Hop, Danny Brown, emo, experimental, Experimental Rap, Experimental Rock, Hard Rock, indie, indie folk, indie pop, indie rock, music, Neo-psychedelia, new-music, Pop Rap, post-punk, Progressive Rock, Psychedelic Pop, review, reviews, Rock, Screamo, Singer-Songwriter, Slacker Rock
Just before New Year’s Day and the Capping Off entry, the second half of the Capsule Reviews closes nearly all of the albums that are due for a review!
GutterPutter 