Rock
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The British Northwesterners’ latest album is a tight sludge of psych-punk that is hard to get rid of completely.
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The adaptational nature of covering songs lend credence towards three directions in re-recording them under new circumstances or contexts.
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Known to their cult following for their more lo-fi production, the Californian band’s newest LP does feel a bit off its tape.
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While the four-piece Californian band sails on their commercial apex, it is the shelved cuts by Rivers Cuomo that got longtime fans savouring.
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J. McClendon’s non-glass beach project is a restrained gut-punch to the stomach in mental illness and repression.
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The Chilean post-punk band’s first album in a decade is an experimental affair with its colourful array being mixed into its rhythm.
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Bocchi the Rock, K-On!, and Girls Band Cry are among the most popular shows of their season to the point where their albums sell. How do they click?
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Choi Yeon-soo, once an earnest K-pop aspirant called D:elta, peers through with one of the most stunning art pop works in this decade.
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The K-pop artist and ex-Wonder Girls member’s solo debut is proof that not all that glitters is gold.
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Every great game gets backed with a soundtrack that fits its environment. The acclaimed isometric RPG has a standout track that defines its theme.
GutterPutter 