Rock
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Short, straightforward, and subtly showy sums the amethyst in the rough that is British singer-songwriter Arthur Elliot’s 7th self-recorded album.
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One of the leading gothic rock bands in the 2000s went back to their old roots; their vision at the very least making up for overproduction.
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The stalwart New Yorkers’ fifth album is immediately making headlines, its eclectic indie rock style standing firm in its sharp form.
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Like the Big Bang, one of the most unique alternative genres got its start as scattered energies waiting to pop in the right conditions.
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Mabe Fratti’s second album in the art pop project with her partner Hector Tosta piques artsy curiosity with restricted expressive virtuosity.
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The country’s history with politically conscious music rings strong from the current government protests – one that could echo in Southeast Asia.
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The kind of silence you would hear in the event of an apocalypse where the rapture, after the first nightmarish days, leaves you a bit dulled.
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The three-sister American rock band pulls over with fifteen tracks’ worth of zingers and bangers even if it doesn’t completely electrify.
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Over twenty years after their acclaimed debut, the Canadian stadium firebrand limps and drags with their dance-ward trajectory.
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The industrial dance-punk quartet have put out one of the most electric dance records of the decade; a post-industrial shakedown on LGBT+ partying.
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