post-rock
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Punchier, rawer, thirstier, more political, stickier, cataclysmic, better than its debut from last year in more ways than one.
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The adaptational nature of covering songs lend credence towards three directions in re-recording them under new circumstances or contexts.
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The Chilean post-punk band’s first album in a decade is an experimental affair with its colourful array being mixed into its rhythm.
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Choi Yeon-soo, once an earnest K-pop aspirant called D:elta, peers through with one of the most stunning art pop works in this decade.
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Every great game gets backed with a soundtrack that fits its environment. The acclaimed isometric RPG has a standout track that defines its theme.
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Capsule Review (November 2025) – Richard Sallis, Cheap Trick, Mateus Aleluia…
2025, Abstract Hip Hop, American Primitivism, art pop, Art Rock, Baroque/Chamber Pop, Complextro, Conscious Hip Hop, EDM, experimental, Experimental Rap, Experimental Rock, Hard Rock, House Music, indie, indie folk, indie pop, indie rock, Jazz Rap, music, Neo-psychedelia, New Wave, new-music, Noise Rock, Pop Rap, post-rock, Progressive Pop, review, reviews, Rock, Slacker Rock
As a prelude to the upcoming month, this edition of Capsule Review looks into rock, pop, and rap!
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This month’s Capsule Review will cover some of the most noteworthy releases that have yet to receive a review.
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Mabe Fratti’s second album in the art pop project with her partner Hector Tosta piques artsy curiosity with restricted expressive virtuosity.
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The ex-YouTuber’s fourth album as a musician shuts all pretentious haters up as its free-flowing folktronica ripples through oceans of memories.
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The kind of silence you would hear in the event of an apocalypse where the rapture, after the first nightmarish days, leaves you a bit dulled.
GutterPutter 