review
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The Seattleans have concocted one of the sharper and more tantalising pieces of full-on rock records of the year.
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The Qúebecan bedroom pop sensation’s latest album ebbs in its echoes, yet nothing noteworthy comes out of it aside from vibes.
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The British indie rock band’s third album is short and concise but it doesn’t stop the fact that it isn’t the most cohesive nor the most out-there.
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The Chilean post-rock band’s debut album owes its direction to Black Country, New Road. Yet, it thunders triumphantly thanks to subtle differences.
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The Pennsylvanian indie rock band’s frontperson has such a strong and distinctive vocal style that it brings many of the songs to life.
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For New Year’s Day, I have a small-ish list of recommendations alongside other projects that I want to get into on this blog!
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“All I ever wanted was a black Grand National / Fuck being rational, give them what they asked for!”
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After six years have passed by, something pretty has just happened with the Oregon-based singer-songwriter’s sophomore album.
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The American upcomer comes through with a fine piece of slacker rock with fun tidbits of pop culture references and a sobering testament on youthhood.
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Abrasive, catchy, unironic bop all the way through. Charli XCX hits like a diva maestro with her signature avant-pop formula.
GutterPutter 