review
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Known to their cult following for their more lo-fi production, the Californian band’s newest LP does feel a bit off its tape.
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J. McClendon’s non-glass beach project is a restrained gut-punch to the stomach in mental illness and repression.
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The Chilean post-punk band’s first album in a decade is an experimental affair with its colourful array being mixed into its rhythm.
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Just before a short break, a new post to celebrate 2025 is out with some end-of-year lists!
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The acclaimed psychedelic music project of Australia-born Kevin Parker fully embraces his dance and electronica influence – for better or for worse.
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The stalwart New Yorkers’ fifth album is immediately making headlines, its eclectic indie rock style standing firm in its sharp form.




