2026
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The Californian Americana duo’s latest album defines beauty without any substance to back it; it’s purely an aesthetic masquerade.
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Regina Spektor’s ‘Us’ pushes against authoritarianism and the appropriation of the past. Decades later, it stands as an ironic mark against Israel…
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One of Bethesda’s flagship games isn’t exactly renowned for its writing around being in love; it’s a flaw which shadows its most complex character…
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The British Northwesterners’ latest album is a tight sludge of psych-punk that is hard to get rid of completely.
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Since the First Era, Bard Music has risen to become custom among the proudest examples of Skyrim’s culture in the entirety of Tamriel’s history.
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A rising star amongst the American electropop scene, the San Franciscian’s third album might be the evolution of pop music.
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The adaptational nature of covering songs lend credence towards three directions in re-recording them under new circumstances or contexts.
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While the four-piece Californian band sails on their commercial apex, it is the shelved cuts by Rivers Cuomo that got longtime fans savouring.
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J. McClendon’s non-glass beach project is a restrained gut-punch to the stomach in mental illness and repression.
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The Chilean post-punk band’s first album in a decade is an experimental affair with its colourful array being mixed into its rhythm.
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