2026
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There are many web horror games that deal with grim subject matters, objectionable images, and eerie ambience. What’s the deal with them?
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A bit short compared to previous iterations, this month’s Capsule Review tackles more rock-driven music as well as electronics.
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The Scottish power pop veterans’ latest album broods over ageing and hope even if its shine proves itself too blinding to fully mature.
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Geordie Greep’s Vancouver misconduct shines a light on why the rock star archetype, in all its hedonistic form and romantic pities, is a toxic ideal.
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Simply put, Mathangi Arulpragasam’s gospel art-rap album is the embodiment of everything wrong with the return to religion.
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Because shoegaze’s bombast comes entirely from the music alone and not from the public acts of its musicians, its commercial appeal is zilch even back in its first wave during the 1990s.
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15 years ago, Ed Sheeran’s ‘The A Team’ portrays the harrowing experience of poverty. We’re never getting anything like it from him again.
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Positech’s flagship political simulation series sought to capture the essence of electoral politics. Instead, it oversimplifies the decisions that led to change.
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Love is one of the biggest themes in music for its relatability, but its use in practice oversimplifies and reinforces obsession and codependency.
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The Tennessean alt-country band’s latest record contains weird productions and rambling lyrics; its direction feels too “modern” for its own good.
