reviews
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Simply put, Mathangi Arulpragasam’s gospel art-rap album is the embodiment of everything wrong with the return to religion.
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15 years ago, Ed Sheeran’s ‘The A Team’ portrays the harrowing experience of poverty. We’re never getting anything like it from him again.
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Love is one of the biggest themes in music for its relatability, but its use in practice oversimplifies and reinforces obsession and codependency.
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The Tennessean alt-country band’s latest record contains weird productions and rambling lyrics; its direction feels too “modern” for its own good.
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Punchier, rawer, thirstier, more political, stickier, cataclysmic, better than its debut from last year in more ways than one.
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In a left turn away from conventional electropop through guitar usage, the British diva eschews slick quality in favour of rocking authenticity.
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The Texan rapper’s latest album sees the flow be in rhythm with both the beats and the queer experiences.
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There are diamonds under the rough after all as the saying goes.
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The de-facto anthem of England’s football culture rings on 30 years after its release even if it comes off as corny to the sports.
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As promised from last month, here are 20 short-form reviews for this month’s Capsule Reviews!
