Rock
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J. McClendon’s non-glass beach project is a restrained gut-punch to the stomach in mental illness and repression.
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The Chilean post-punk band’s first album in a decade is an experimental affair with its colourful array being mixed into its rhythm.
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Bocchi the Rock, K-On!, and Girls Band Cry are among the most popular shows of their season to the point where their albums sell. How do they click?
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Choi Yeon-soo, once an earnest K-pop aspirant called D:elta, peers through with one of the most stunning art pop works in this decade.
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The K-pop artist and ex-Wonder Girls member’s solo debut is proof that not all that glitters is gold.
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Every great game gets backed with a soundtrack that fits its environment. The acclaimed isometric RPG has a standout track that defines its theme.
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Short, straightforward, and subtly showy sums the amethyst in the rough that is British singer-songwriter Arthur Elliot’s 7th self-recorded album.
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One of the leading gothic rock bands in the 2000s went back to their old roots; their vision at the very least making up for overproduction.
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The stalwart New Yorkers’ fifth album is immediately making headlines, its eclectic indie rock style standing firm in its sharp form.
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Like the Big Bang, one of the most unique alternative genres got its start as scattered energies waiting to pop in the right conditions.
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