music
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The Seattleans have concocted one of the sharper and more tantalising pieces of full-on rock records of the year.
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The Qúebecan bedroom pop sensation’s latest album ebbs in its echoes, yet nothing noteworthy comes out of it aside from vibes.
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The British indie rock band’s third album is short and concise but it doesn’t stop the fact that it isn’t the most cohesive nor the most out-there.
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The Chilean post-rock band’s debut album owes its direction to Black Country, New Road. Yet, it thunders triumphantly thanks to subtle differences.
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In a big subversion to post-industrial artistry, the Ontarian flips everything we know about love to convey his rawest feelings. And it is stunning.
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The French indie pop project doesn’t have to make depression sound this misleadingly fun under their new name.
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The Pennsylvanian indie rock band’s frontperson has such a strong and distinctive vocal style that it brings many of the songs to life.
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The Oregon country rock band’s latest release yawns along its psychedelic roots, its genericity befuddling its impact all the more.
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This is definitely one of the more carnivalesque, rapturous celebrations of the end of the world as we know it in its apocalyptic sightings.
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The Floridan singer-songwriter’s ‘extended play’ examines the meaning of perversion with deftness even if it drones on more than what is fitting.
GutterPutter 