Rock
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The Oregon country rock band’s latest release yawns along its psychedelic roots, its genericity befuddling its impact all the more.
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The 21st Century Anthem for Doomed Youth.
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And no one seems to notice it. Not even the likes of Pitchfork, Stereogum. Except for a small RateYourMusic group.
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Twenty-five years ago, the D.C. rock band concocted what might well be one of the most indie records of all time, rife with everyday youth problems.
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Thirty years ago, the Britpop pioneers’ sophomore record dropped with its ambitions all out. The 30th Anniversary edition proves that it’s no flaw.
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Credit where it’s due, the post-Britpop global phenomenon remains as wholehearted as ever even if their world peace-vibe dulls too often.
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The ex-frontman of Black Midi’s solo debut is an epic prog-rock tale of inceldom and masculinity that never lets go of the pedal.
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The eminent Californian avant-rock band steps into psychedelic territory with wondrous and heartrending results on mortality.
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Even if the New Yorkers might not reach their peak in the late 90s-early 2000s, the power pop band are in love with their craft and with life.
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The American upcomer comes through with a fine piece of slacker rock with fun tidbits of pop culture references and a sobering testament on youthhood.
GutterPutter 