Folk/Country
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The Christmas classic is not only honest about the holiday season, but it also examines the American Dream as being just a dream.
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Charles Manson is one of the most notorious figures in pop culture history. His avant-psych style folk debut album is utter feces. This isn’t going to be a long retrospective album review that I would occasionally do with something like the Dismemberment Plan or Okkervil River. This is going to be more of a smaller…
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The country’s history with politically conscious music rings strong from the current government protests – one that could echo in Southeast Asia.
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The ex-YouTuber’s fourth album as a musician shuts all pretentious haters up as its free-flowing folktronica ripples through oceans of memories.
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The three-sister American rock band pulls over with fifteen tracks’ worth of zingers and bangers even if it doesn’t completely electrify.
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The Texas-originated band fronted by Will Sheff tackles the heartbreaks of romance in its oft-poetic, yet tragic ways through dependency.
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Three years after their masterpiece, the acclaimed six-piece realises their transition to prog-pop at the cost of a big piece of their core identity.
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After her spell with boygenius, the Virginian’s fourth album is earnest in its feelings, but fragile in its songwriting and delivery.
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The British singer-songwriter might be best known for his long-forgotten 2000 debut, but his intro feels perfect for Valentine’s Day.
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The Pennsylvanian indie rock band’s frontperson has such a strong and distinctive vocal style that it brings many of the songs to life.
GutterPutter 