new-music
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The acclaimed psychedelic music project of Australia-born Kevin Parker fully embraces his dance and electronica influence – for better or for worse.
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The stalwart New Yorkers’ fifth album is immediately making headlines, its eclectic indie rock style standing firm in its sharp form.
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Mabe Fratti’s second album in the art pop project with her partner Hector Tosta piques artsy curiosity with restricted expressive virtuosity.
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Dijon Duenas’ second solo album is as imaginative a take on R&B as Devon Hendryx or Frank Ocean. And a strong contender for the genre staple.
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The ex-YouTuber’s fourth album as a musician shuts all pretentious haters up as its free-flowing folktronica ripples through oceans of memories.
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The stalwart West Coast rapper-producer drops a surprise record that is clearly made for full-time fun. Move on if you are hoping for a tour-de-force.
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Capsule Reviews (May 2025) – Panchiko, Squid, Clipping…
2025, Americana, art pop, Chamber Folk, Country Soul, dream pop, emo, Experimental Hip Hop, Experimental Rock, Horrorcore, indie, indie folk, indie pop, indie rock, Indietronica, Industrial Hip Hop, Jazz Pop, music, Neo-psychedelia, New Wave, new-music, post-rock, reviews, Rock, Shoegaze, Singer-Songwriter, Slacker Rock, Sophisti-pop
Apologies for the long wait. The first Capsule Reviews article of this year has a lot of genres to cove from the most rock-like to the experimental.
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Over twenty years after their acclaimed debut, the Canadian stadium firebrand limps and drags with their dance-ward trajectory.
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The industrial dance-punk quartet have put out one of the most electric dance records of the decade; a post-industrial shakedown on LGBT+ partying.
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After her spell with boygenius, the Virginian’s fourth album is earnest in its feelings, but fragile in its songwriting and delivery.
GutterPutter 