Baroque/Chamber Pop
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Capsule Reviews (December – Part 2) – Jim Ghedi, kinoue64, acloudyskye…
2025, Abstract Hip Hop, album-review, Alternative Rock, art pop, Art Rock, Baroque/Chamber Pop, Conscious Hip Hop, Danny Brown, emo, experimental, Experimental Rap, Experimental Rock, Hard Rock, indie, indie folk, indie pop, indie rock, music, Neo-psychedelia, new-music, Pop Rap, post-punk, Progressive Rock, Psychedelic Pop, review, reviews, Rock, Screamo, Singer-Songwriter, Slacker Rock
Just before New Year’s Day and the Capping Off entry, the second half of the Capsule Reviews closes nearly all of the albums that are due for a review!
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Choi Yeon-soo, once an earnest K-pop aspirant called D:elta, peers through with one of the most stunning art pop works in this decade.
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Capsule Reviews (December 2025 – Part 1) – Panda Bear, Danny Brown, Candelabro…
2025, Abstract Hip Hop, art pop, Art Rock, Baroque/Chamber Pop, Conscious Hip Hop, Danny Brown, experimental, Experimental Rap, Experimental Rock, Hard Rock, indie, indie folk, indie pop, indie rock, Lady Gaga, music, Neo-psychedelia, new-music, Political Hip Hop, Pop Rap, post-punk, Progressive Rock, Psychedelic Pop, review, reviews, Rock, Singer-Songwriter, Slacker Rock
The first part of this month’s Capsule Reviews is filled with comments on a wide variety of albums!
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Capsule Review (November 2025) – Richard Sallis, Cheap Trick, Mateus Aleluia…
2025, Abstract Hip Hop, American Primitivism, art pop, Art Rock, Baroque/Chamber Pop, Complextro, Conscious Hip Hop, EDM, experimental, Experimental Rap, Experimental Rock, Hard Rock, House Music, indie, indie folk, indie pop, indie rock, Jazz Rap, music, Neo-psychedelia, New Wave, new-music, Noise Rock, Pop Rap, post-rock, Progressive Pop, review, reviews, Rock, Slacker Rock
As a prelude to the upcoming month, this edition of Capsule Review looks into rock, pop, and rap!
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This month’s Capsule Review will cover some of the most noteworthy releases that have yet to receive a review.
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The ex-YouTuber’s fourth album as a musician shuts all pretentious haters up as its free-flowing folktronica ripples through oceans of memories.
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Three years after their masterpiece, the acclaimed six-piece realises their transition to prog-pop at the cost of a big piece of their core identity.
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After her spell with boygenius, the Virginian’s fourth album is earnest in its feelings, but fragile in its songwriting and delivery.
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The Seattleans have concocted one of the sharper and more tantalising pieces of full-on rock records of the year.
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This is definitely one of the more carnivalesque, rapturous celebrations of the end of the world as we know it in its apocalyptic sightings.
GutterPutter 