album-review
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Capsule Reviews (December – Part 2) – Jim Ghedi, kinoue64, acloudyskye…
2025, Abstract Hip Hop, album-review, Alternative Rock, art pop, Art Rock, Baroque/Chamber Pop, Conscious Hip Hop, Danny Brown, emo, experimental, Experimental Rap, Experimental Rock, Hard Rock, indie, indie folk, indie pop, indie rock, music, Neo-psychedelia, new-music, Pop Rap, post-punk, Progressive Rock, Psychedelic Pop, review, reviews, Rock, Screamo, Singer-Songwriter, Slacker Rock
Just before New Year’s Day and the Capping Off entry, the second half of the Capsule Reviews closes nearly all of the albums that are due for a review!
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The kind of silence you would hear in the event of an apocalypse where the rapture, after the first nightmarish days, leaves you a bit dulled.
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The three-sister American rock band pulls over with fifteen tracks’ worth of zingers and bangers even if it doesn’t completely electrify.
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After her spell with boygenius, the Virginian’s fourth album is earnest in its feelings, but fragile in its songwriting and delivery.
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The Qúebecan bedroom pop sensation’s latest album ebbs in its echoes, yet nothing noteworthy comes out of it aside from vibes.
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The Chilean post-rock band’s debut album owes its direction to Black Country, New Road. Yet, it thunders triumphantly thanks to subtle differences.
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The 21st Century Anthem for Doomed Youth.
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Through the masterful use of synths, the Scottish sophisti-pop savants made their magnum opus synonymous both with the night and with love.
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The American upcomer comes through with a fine piece of slacker rock with fun tidbits of pop culture references and a sobering testament on youthhood.
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One of the top folk rock bands in Oregon comes out with a new record after six years’ worth of waiting. It could’ve been worse, I suppose?
GutterPutter 