2025
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Dijon Duenas’ second solo album is as imaginative a take on R&B as Devon Hendryx or Frank Ocean. And a strong contender for the genre staple.
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I have thought about writing a review on this for over two months now. This breathes hip hop in all its ways with Black American experiences.
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The ex-YouTuber’s fourth album as a musician shuts all pretentious haters up as its free-flowing folktronica ripples through oceans of memories.
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The stalwart West Coast rapper-producer drops a surprise record that is clearly made for full-time fun. Move on if you are hoping for a tour-de-force.
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One of the most dangerous duos in hip hop history, with a bible on cocaine, came back with an effort that is “hot” and “culturally inappropriate”.
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The kind of silence you would hear in the event of an apocalypse where the rapture, after the first nightmarish days, leaves you a bit dulled.
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The three-sister American rock band pulls over with fifteen tracks’ worth of zingers and bangers even if it doesn’t completely electrify.
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Capsule Reviews (May 2025) – Panchiko, Squid, Clipping…
2025, Americana, art pop, Chamber Folk, Country Soul, dream pop, emo, Experimental Hip Hop, Experimental Rock, Horrorcore, indie, indie folk, indie pop, indie rock, Indietronica, Industrial Hip Hop, Jazz Pop, music, Neo-psychedelia, New Wave, new-music, post-rock, reviews, Rock, Shoegaze, Singer-Songwriter, Slacker Rock, Sophisti-pop
Apologies for the long wait. The first Capsule Reviews article of this year has a lot of genres to cove from the most rock-like to the experimental.
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Over twenty years after their acclaimed debut, the Canadian stadium firebrand limps and drags with their dance-ward trajectory.
![Kesha – . [Period] (Record Review)](https://gutterputter.com/wp-content/uploads/2025/07/kesha-period-e1752278278460.png?w=600)
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