Experimental/Avant-Garde
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Like the Big Bang, one of the most unique alternative genres got its start as scattered energies waiting to pop in the right conditions.
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Mabe Fratti’s second album in the art pop project with her partner Hector Tosta piques artsy curiosity with restricted expressive virtuosity.
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Dijon Duenas’ second solo album is as imaginative a take on R&B as Devon Hendryx or Frank Ocean. And a strong contender for the genre staple.
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The ex-YouTuber’s fourth album as a musician shuts all pretentious haters up as its free-flowing folktronica ripples through oceans of memories.
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The kind of silence you would hear in the event of an apocalypse where the rapture, after the first nightmarish days, leaves you a bit dulled.
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The Chilean post-rock band’s debut album owes its direction to Black Country, New Road. Yet, it thunders triumphantly thanks to subtle differences.
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In a big subversion to post-industrial artistry, the Ontarian flips everything we know about love to convey his rawest feelings. And it is stunning.
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The Floridan singer-songwriter’s ‘extended play’ examines the meaning of perversion with deftness even if it drones on more than what is fitting.
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The 21st Century Anthem for Doomed Youth.
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And no one seems to notice it. Not even the likes of Pitchfork, Stereogum. Except for a small RateYourMusic group.
GutterPutter 