Electronica
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Choi Yeon-soo, once an earnest K-pop aspirant called D:elta, peers through with one of the most stunning art pop works in this decade.
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The acclaimed psychedelic music project of Australia-born Kevin Parker fully embraces his dance and electronica influence – for better or for worse.
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The ex-YouTuber’s fourth album as a musician shuts all pretentious haters up as its free-flowing folktronica ripples through oceans of memories.
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The stalwart West Coast rapper-producer drops a surprise record that is clearly made for full-time fun. Move on if you are hoping for a tour-de-force.
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The industrial dance-punk quartet have put out one of the most electric dance records of the decade; a post-industrial shakedown on LGBT+ partying.
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The British indie rock band’s third album is short and concise but it doesn’t stop the fact that it isn’t the most cohesive nor the most out-there.
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In a big subversion to post-industrial artistry, the Ontarian flips everything we know about love to convey his rawest feelings. And it is stunning.
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Twenty-five years ago, the D.C. rock band concocted what might well be one of the most indie records of all time, rife with everyday youth problems.
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Credit where it’s due, the post-Britpop global phenomenon remains as wholehearted as ever even if their world peace-vibe dulls too often.
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The eminent Californian avant-rock band steps into psychedelic territory with wondrous and heartrending results on mortality.
GutterPutter 