reviews
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And no one seems to notice it. Not even the likes of Pitchfork, Stereogum. Except for a small RateYourMusic group.
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Capsule Review (November 2024 – Part 2) – Lupe Fiasco, Halsey, Foxing…
2024, Abstract Hip Hop, avant-folk, Baroque/Chamber Pop, Chamber Folk, dream pop, East Coast Hip Hop, Experimental Rock, folk rock, Gothic Rock, House Music, indie, indie folk, indie rock, Jazz Pop, music, new-music, Noise Rock, Pop, post-rock, Power Pop, Progressive Pop, Psychedelic Rock, Pub Rock, Punk Rock, rap, reviews, Rock, Screamo, Singer-Songwriter, Sludge Metal, West Coast Hip Hop
There’s a lot more experimentation to be found in this piece although how it works in practice might differ in quality. By a lot.
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After six years have passed by, something pretty has just happened with the Oregon-based singer-songwriter’s sophomore album.
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Through the masterful use of synths, the Scottish sophisti-pop savants made their magnum opus synonymous both with the night and with love.
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Credit where it’s due, the post-Britpop global phenomenon remains as wholehearted as ever even if their world peace-vibe dulls too often.
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The ex-frontman of Black Midi’s solo debut is an epic prog-rock tale of inceldom and masculinity that never lets go of the pedal.
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The eminent Californian avant-rock band steps into psychedelic territory with wondrous and heartrending results on mortality.
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Porter Robinson’s third studio album might as well be the one about his fandom, to his fandom, for his fandom. A brilliant internet opus.
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One of the top folk rock bands in Oregon comes out with a new record after six years’ worth of waiting. It could’ve been worse, I suppose?
GutterPutter 