review
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The stalwart West Coast rapper-producer drops a surprise record that is clearly made for full-time fun. Move on if you are hoping for a tour-de-force.
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One of the most dangerous duos in hip hop history, with a bible on cocaine, came back with an effort that is “hot” and “culturally inappropriate”.
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The kind of silence you would hear in the event of an apocalypse where the rapture, after the first nightmarish days, leaves you a bit dulled.
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The three-sister American rock band pulls over with fifteen tracks’ worth of zingers and bangers even if it doesn’t completely electrify.
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Over twenty years after their acclaimed debut, the Canadian stadium firebrand limps and drags with their dance-ward trajectory.
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The industrial dance-punk quartet have put out one of the most electric dance records of the decade; a post-industrial shakedown on LGBT+ partying.
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The Texas-originated band fronted by Will Sheff tackles the heartbreaks of romance in its oft-poetic, yet tragic ways through dependency.
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Never mind the copyright strikes from ZA/UM for a minute, the leaked spinoff expands the RPG classic’s intent beyond the creators’ departure.
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A high-brow epic rap opera based on heartbreak, lineage, feuds, and past glory. Or so you’d wish for a third-rate blockbuster.
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After her spell with boygenius, the Virginian’s fourth album is earnest in its feelings, but fragile in its songwriting and delivery.
GutterPutter 