post-rock
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Folk, pop, rock, rap! The Capsule Review piece is back in the bid to catch up with some before-unreviewed records!
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The bildungsroman Korean album that’s tied in part to idealism and reality is an instant classic. This will go down as the holy grail for growing up.
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Leaning a bit more towards singer-songwriters, this Capsule Review piece will cover some of the most exciting lyricists of today!
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The Canadian band or artist’s treatise on alienation and teen nostalgia sees its distinct identity and vision match its bouts of shortcomings.
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Completely, utterly, hopelessly unhinged. The Los Angeles-borne band have nothing to hold them back in all their noise.
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The third album from one of South Korea’s most exciting new names sees him grow up from a dreamer to a legendary auteur.
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The absolute pinnacle of British chamber post-rock. (5/5)
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From Kanye West’ ambitious output to some comments on overlooked acts, this post will try and give some opinions on the records as concisely as possible.
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30 Years have passed since the release of Spiderland by Slint – one of the most important records for pioneering Post-Rock, for its unique melancholy takes & for its instrumental prowess thanks in part to its guitar rhythms & drumming. In 1990, a group of young adults from Louisville, Kentucky have made a post-hardcore album…
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Between the chaotic bellows of jazz, post-punk and even klezmer influences, singer-guitarist Isaac Wood’s baritone singing and despairing narrative lyrics, the seven-piece band’s debut is a borderline-instant knockout in Britain’s third post-punk wave. (4.8/5)
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