music
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Capsule Reviews (May 2025) – Panchiko, Squid, Clipping…
2025, Americana, art pop, Chamber Folk, Country Soul, dream pop, emo, Experimental Hip Hop, Experimental Rock, Horrorcore, indie, indie folk, indie pop, indie rock, Indietronica, Industrial Hip Hop, Jazz Pop, music, Neo-psychedelia, New Wave, new-music, post-rock, reviews, Rock, Shoegaze, Singer-Songwriter, Slacker Rock, Sophisti-pop
Apologies for the long wait. The first Capsule Reviews article of this year has a lot of genres to cove from the most rock-like to the experimental.
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Over twenty years after their acclaimed debut, the Canadian stadium firebrand limps and drags with their dance-ward trajectory.
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The industrial dance-punk quartet have put out one of the most electric dance records of the decade; a post-industrial shakedown on LGBT+ partying.
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The Texas-originated band fronted by Will Sheff tackles the heartbreaks of romance in its oft-poetic, yet tragic ways through dependency.
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A high-brow epic rap opera based on heartbreak, lineage, feuds, and past glory. Or so you’d wish for a third-rate blockbuster.
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After her spell with boygenius, the Virginian’s fourth album is earnest in its feelings, but fragile in its songwriting and delivery.
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The Seattleans have concocted one of the sharper and more tantalising pieces of full-on rock records of the year.
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The Qúebecan bedroom pop sensation’s latest album ebbs in its echoes, yet nothing noteworthy comes out of it aside from vibes.
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The British indie rock band’s third album is short and concise but it doesn’t stop the fact that it isn’t the most cohesive nor the most out-there.
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The Chilean post-rock band’s debut album owes its direction to Black Country, New Road. Yet, it thunders triumphantly thanks to subtle differences.
GutterPutter 