Indietronica
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This month’s Capsule Review will cover some of the most noteworthy releases that have yet to receive a review.
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The acclaimed psychedelic music project of Australia-born Kevin Parker fully embraces his dance and electronica influence – for better or for worse.
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Capsule Reviews (May 2025) – Panchiko, Squid, Clipping…
2025, Americana, art pop, Chamber Folk, Country Soul, dream pop, emo, Experimental Hip Hop, Experimental Rock, Horrorcore, indie, indie folk, indie pop, indie rock, Indietronica, Industrial Hip Hop, Jazz Pop, music, Neo-psychedelia, New Wave, new-music, post-rock, reviews, Rock, Shoegaze, Singer-Songwriter, Slacker Rock, Sophisti-pop
Apologies for the long wait. The first Capsule Reviews article of this year has a lot of genres to cove from the most rock-like to the experimental.
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This is definitely one of the more carnivalesque, rapturous celebrations of the end of the world as we know it in its apocalyptic sightings.
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Twenty-five years ago, the D.C. rock band concocted what might well be one of the most indie records of all time, rife with everyday youth problems.
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The eminent Californian avant-rock band steps into psychedelic territory with wondrous and heartrending results on mortality.
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The bildungsroman Korean album that’s tied in part to idealism and reality is an instant classic. This will go down as the holy grail for growing up.
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Porter Robinson’s third studio album might as well be the one about his fandom, to his fandom, for his fandom. A brilliant internet opus.
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With much credit going to its colourful take on prog-rock, the Californian band’s eclectic style is catching lightning in a bottle.
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12 more reviews are served up, covering a wide variety of names from post-rock bands to Japanese upcomers and funktronic beats!
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