experimental
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Released nearly 25 years ago, avant-garde composer William Basinski’s work, done through withering tapes, stands sharply as an aural time capsule.
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Capsule Reviews (December – Part 2) – Jim Ghedi, kinoue64, acloudyskye…
2025, Abstract Hip Hop, album-review, Alternative Rock, art pop, Art Rock, Baroque/Chamber Pop, Conscious Hip Hop, Danny Brown, emo, experimental, Experimental Rap, Experimental Rock, Hard Rock, indie, indie folk, indie pop, indie rock, music, Neo-psychedelia, new-music, Pop Rap, post-punk, Progressive Rock, Psychedelic Pop, review, reviews, Rock, Screamo, Singer-Songwriter, Slacker Rock
Just before New Year’s Day and the Capping Off entry, the second half of the Capsule Reviews closes nearly all of the albums that are due for a review!
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Capsule Reviews (December 2025 – Part 1) – Panda Bear, Danny Brown, Candelabro…
2025, Abstract Hip Hop, art pop, Art Rock, Baroque/Chamber Pop, Conscious Hip Hop, Danny Brown, experimental, Experimental Rap, Experimental Rock, Hard Rock, indie, indie folk, indie pop, indie rock, Lady Gaga, music, Neo-psychedelia, new-music, Political Hip Hop, Pop Rap, post-punk, Progressive Rock, Psychedelic Pop, review, reviews, Rock, Singer-Songwriter, Slacker Rock
The first part of this month’s Capsule Reviews is filled with comments on a wide variety of albums!
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Capsule Review (November 2025) – Richard Sallis, Cheap Trick, Mateus Aleluia…
2025, Abstract Hip Hop, American Primitivism, art pop, Art Rock, Baroque/Chamber Pop, Complextro, Conscious Hip Hop, EDM, experimental, Experimental Rap, Experimental Rock, Hard Rock, House Music, indie, indie folk, indie pop, indie rock, Jazz Rap, music, Neo-psychedelia, New Wave, new-music, Noise Rock, Pop Rap, post-rock, Progressive Pop, review, reviews, Rock, Slacker Rock
As a prelude to the upcoming month, this edition of Capsule Review looks into rock, pop, and rap!
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This month’s Capsule Review will cover some of the most noteworthy releases that have yet to receive a review.
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Dijon Duenas’ second solo album is as imaginative a take on R&B as Devon Hendryx or Frank Ocean. And a strong contender for the genre staple.
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In a big subversion to post-industrial artistry, the Ontarian flips everything we know about love to convey his rawest feelings. And it is stunning.
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The Australian alt-rock legends’ latest outing weaves grand narratives to spacious production and calls for love even if it did not land a bullseye.
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It feels senseless. It sounds senseless. This record makes as much sense as saying the word “deer” like it’s the apex of absurdist comedy.
GutterPutter 