2024
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It feels senseless. It sounds senseless. This record makes as much sense as saying the word “deer” like it’s the apex of absurdist comedy.
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The bildungsroman Korean album that’s tied in part to idealism and reality is an instant classic. This will go down as the holy grail for growing up.
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The Californian indie pop band’s latest output carries on their eclectic style towards chamber pop with mixed results…
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Porter Robinson’s third studio album might as well be the one about his fandom, to his fandom, for his fandom. A brilliant internet opus.
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It’s been almost five-ish years since I listened to the Texan dream pop band on a regular basis. It’s just the same music over and over, isn’t it?
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Marshall Mathers’s latest album is an outdated, edgy, gruelling mess of a midlife crisis album. At least his technical skills are as sharp as ever.
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The Japanese rap rock group’s album is as dynamic and explosive as its most fame-hungry contemporaries even if it feels overblown in itself.
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One of the top folk rock bands in Oregon comes out with a new record after six years’ worth of waiting. It could’ve been worse, I suppose?
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Abrasive, catchy, unironic bop all the way through. Charli XCX hits like a diva maestro with her signature avant-pop formula.
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Fifteen years after its release, Divorce Lawyers I Shaved My Head remains Jordaan Mason’s magnum opus for queer folk music.
GutterPutter 