Rock
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Mabe Fratti’s second album in the art pop project with her partner Hector Tosta piques artsy curiosity with restricted expressive virtuosity.
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The country’s history with politically conscious music rings strong from the current government protests – one that could echo in Southeast Asia.
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The kind of silence you would hear in the event of an apocalypse where the rapture, after the first nightmarish days, leaves you a bit dulled.
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The three-sister American rock band pulls over with fifteen tracks’ worth of zingers and bangers even if it doesn’t completely electrify.
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Over twenty years after their acclaimed debut, the Canadian stadium firebrand limps and drags with their dance-ward trajectory.
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The industrial dance-punk quartet have put out one of the most electric dance records of the decade; a post-industrial shakedown on LGBT+ partying.
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The Texas-originated band fronted by Will Sheff tackles the heartbreaks of romance in its oft-poetic, yet tragic ways through dependency.
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Three years after their masterpiece, the acclaimed six-piece realises their transition to prog-pop at the cost of a big piece of their core identity.
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The Seattleans have concocted one of the sharper and more tantalising pieces of full-on rock records of the year.
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The British indie rock band’s third album is short and concise but it doesn’t stop the fact that it isn’t the most cohesive nor the most out-there.
GutterPutter 