music
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After six years have passed by, something pretty has just happened with the Oregon-based singer-songwriter’s sophomore album.
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Through the masterful use of synths, the Scottish sophisti-pop savants made their magnum opus synonymous both with the night and with love.
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Credit where it’s due, the post-Britpop global phenomenon remains as wholehearted as ever even if their world peace-vibe dulls too often.
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The ex-frontman of Black Midi’s solo debut is an epic prog-rock tale of inceldom and masculinity that never lets go of the pedal.
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The eminent Californian avant-rock band steps into psychedelic territory with wondrous and heartrending results on mortality.
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Even if the New Yorkers might not reach their peak in the late 90s-early 2000s, the power pop band are in love with their craft and with life.
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The American upcomer comes through with a fine piece of slacker rock with fun tidbits of pop culture references and a sobering testament on youthhood.
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Porter Robinson’s third studio album might as well be the one about his fandom, to his fandom, for his fandom. A brilliant internet opus.
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Marshall Mathers’s latest album is an outdated, edgy, gruelling mess of a midlife crisis album. At least his technical skills are as sharp as ever.
GutterPutter 