indie pop
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The stalwart American duo have concocted quite a fable on love, death, and maturing with pure psychedelia.
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The Quebec band offers a kind of ‘derivative’ synth-rock that quietly grows on you even if it might not set forth new boundaries.
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To say that a 2013 electropop gem is overlooked is an understatement in how it shows queer representation through chaotic production.
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One of Ohio’s most critically acclaimed indie rock bands resurges with the most self-archetypical ninth release there is. Mostly for the worse.
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The hyperpop maestros are back, eschewing catchiness and electro-beats of their debut in favour of alternative diversity. With varied results.
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Abrasive, queer, and proud, zoomers and millennials have rallied behind a digital spectacle of an outlier inside the music scene.
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The mythic indie pop band’s latest release might not see even the lows of their bests, but it does retain its heart after all these years.
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Seth Nyquist’s debut has a clear downtempo feeling throughout the production-led, R&B-sung tracks. Maybe a bit too down… (2/5)
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It’s not much, but it’s a lovely indietronic tale of how it’s important to be true to ourselves and follow our dreams. (4/5)
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Unrequited love is the theme as the noise pop band balances their abrasiveness with emo-like sentimentalities. (4/5)
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