experimental
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In this capsule review, we’ll be exploring a wide range of artists from hip-hop rappers to post-punk stars. There’s also some announcement to be made about plans for GutterPutter.
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While prog-rock is booming in the late 60s and 70s, the UK managed to concoct themselves a very jazzy & psychedelic take on it that goes beyond its birthplace.
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The absolute pinnacle of British chamber post-rock. (5/5)
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The latest outing from Earl Sweatshirt heralds his numerous facets of pandemic-related bars with spacious and futuristic beats. (4.2/5)
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From Kanye West’ ambitious output to some comments on overlooked acts, this post will try and give some opinions on the records as concisely as possible.
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A mix of hyperpop eccentricity & overt electronica beats, when mixed with LGBT+ rapping, makes for one colourful cornerstone. (3.8/5)
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In all due honesty, the rapping leaves much to be desired around living. The insane production however is an electrifying triumph. (3.6/5)
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The reputable slowcore couple continues their electronic divergence with cautious optimism, proving their flexibility in the process. (3.8/5)
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Many artists have tried to meld classical composition & instrumentation to pop music with a drizzle of studio enhancement, but few can craft it into a cacophonous bastion of mythic proportion as this record did. (4.8/5)
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Between the chaotic bellows of jazz, post-punk and even klezmer influences, singer-guitarist Isaac Wood’s baritone singing and despairing narrative lyrics, the seven-piece band’s debut is a borderline-instant knockout in Britain’s third post-punk wave. (4.8/5)
GutterPutter 