Rock
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Whatever the aim is, Car Colors have succeeded in creating a work that aims to strike you in the heart.
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The combination of dub influences and bubbly production makes for a subversive bop of the stacked collaboration even if it’s slightly bloated.
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What was supposedly a direct follow-up to 2002’s All Hail West Texas feels too grandiose compared to its predecessor’s crackly, modest charm.
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The Canadian band or artist’s treatise on alienation and teen nostalgia sees its distinct identity and vision match its bouts of shortcomings.
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The Quebec band offers a kind of ‘derivative’ synth-rock that quietly grows on you even if it might not set forth new boundaries.
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What the California-based project lacks in groundbreaking premise, the sophomore album more than makes up for it through heartfelt confession.
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The aspiring Texan alt-pop artist gets his big start with an arsenal of sounds. Its passionate drive can reach the point of going overboard at times.
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Completely, utterly, hopelessly unhinged. The Los Angeles-borne band have nothing to hold them back in all their noise.
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Today, let’s talk about one of my favourite bands and their masterpiece. The Meadowlands is one of, if not, my favourite albums of all time.
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Sometimes, you don’t need to break boundaries to pump out bop after bop after bop. The Chicago band is about to embrace post-punk completely.
GutterPutter 