The absolute pinnacle of British chamber post-rock. (5/5)
The Japanese band’s recent outing has its share of both catchy sensibility & zany composition – just don’t expect any more than that. (3.2/5)
18 years ago, an ageing band from New Jersey seems to be on a verge of breaking out. Now, recent news suggest that they’re utterly done…
Kevin Whelan’s debut record on his project makes up its bumpy landing for a series of poignant power pop punch for closure. (4.2/5)
The final part of what is almost a year’s worth of writing around the genre of emo and its history is finally here!
A mix of hyperpop eccentricity & overt electronica beats, when mixed with LGBT+ rapping, makes for one colourful cornerstone. (3.8/5)
One of the 2010s’ most recognisable Emo band is back with an ambitious twist in the spanner. The final result having varied success in execution. (3.4/5)
What the Wigan-based band’s debut lack in deviating from standard indie pop, it makes up for its heart from start to finish. (3/5)
The Scottish band’s album is fraught with gimmicky reverbs & same-old, same-old structures sans a few bright bulbs glowing about. (1.8/5)
The reputable slowcore couple continues their electronic divergence with cautious optimism, proving their flexibility in the process. (3.8/5)
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