Rock
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18 years ago, an ageing band from New Jersey seems to be on a verge of breaking out. Now, recent news suggest that they’re utterly done…
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The final part of what is almost a year’s worth of writing around the genre of emo and its history is finally here!
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A mix of hyperpop eccentricity & overt electronica beats, when mixed with LGBT+ rapping, makes for one colourful cornerstone. (3.8/5)
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One of the 2010s’ most recognisable Emo band is back with an ambitious twist in the spanner. The final result having varied success in execution. (3.4/5)
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The Scottish band’s album is fraught with gimmicky reverbs & same-old, same-old structures sans a few bright bulbs glowing about. (1.8/5)
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The reputable slowcore couple continues their electronic divergence with cautious optimism, proving their flexibility in the process. (3.8/5)
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The meteor of art-noise rock may lack a whole load of nuances, but its confrontational focus on political malaises can help drive the literal punk-heads onward (3.5/5)
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20 years have passed since the debut of the Strokes’ debut record, a cataclysmic shift had ensued to make sure that rock is here to stay – in mainstream or underground.
GutterPutter 