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Dijon – Baby (Record Review)
Dijon Duenas’ second solo album is as imaginative a take on R&B as Devon Hendryx or Frank Ocean. And a strong contender for the genre staple.
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McKinley Dixon – Magic, Alive! (Record Review)
I have thought about writing a review on this for over two months now. This breathes hip hop in all its ways with Black American experiences.
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Tyler, the Creator – DON’T TAP THE GLASS (Record Review)
The stalwart West Coast rapper-producer drops a surprise record that is clearly made for full-time fun. Move on if you are hoping for a tour-de-force.
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Clipse – Let God Sort Em Out (Record Review)
One of the most dangerous duos in hip hop history, with a bible on cocaine, came back with an effort that is “hot” and “culturally inappropriate”.
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Kesha – . [Period] (Record Review)
Once one of the biggest divas in mainstream music, Kesha Sebert’s first independent album marks a crafty dance-pop comeback on her own terms.
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Anno Solar – Una mancha de sol (Record Review)
The kind of silence you would hear in the event of an apocalypse where the rapture, after the first nightmarish days, leaves you a bit dulled.
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HAIM – I quit (Record Review)
The three-sister American rock band pulls over with fifteen tracks’ worth of zingers and bangers even if it doesn’t completely electrify.
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Capsule Reviews (May 2025) – Panchiko, Squid, Clipping…
Apologies for the long wait. The first Capsule Reviews article of this year has a lot of genres to cove from the most rock-like to the experimental.
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Arcade Fire – Pink Elephant (Record Review)
Over twenty years after their acclaimed debut, the Canadian stadium firebrand limps and drags with their dance-ward trajectory.
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