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Model/Actriz – Pirouette (Record Review)

The industrial dance-punk quartet have put out one of the most electric dance records of the decade; a post-industrial shakedown on LGBT+ partying.
What “A Stone” is to Okkervil River

The Texas-originated band fronted by Will Sheff tackles the heartbreaks of romance in its oft-poetic, yet tragic ways through dependency.
What Locust City Tells Us About Disco Elysium

Never mind the copyright strikes from ZA/UM for a minute, the leaked spinoff expands the RPG classic’s intent beyond the creators’ departure.
Will Smith – Based on a True Story (Record Review)

A high-brow epic rap opera based on heartbreak, lineage, feuds, and past glory. Or so you’d wish for a third-rate blockbuster.
Black Country, New Road – Forever Howlong (Record Review)

Three years after their masterpiece, the acclaimed six-piece realises their transition to prog-pop at the cost of a big piece of their core identity.
Lucy Dacus – Forever is a Feeling (Record Review)

After her spell with boygenius, the Virginian’s fourth album is earnest in its feelings, but fragile in its songwriting and delivery.
Great Grandpa – Patience, Moonbeam (Record Review)

The Seattleans have concocted one of the sharper and more tantalising pieces of full-on rock records of the year.
Men I Trust – Equus Asinus (Record Review)

The Qúebecan bedroom pop sensation’s latest album ebbs in its echoes, yet nothing noteworthy comes out of it aside from vibes.
Courting – Lust For Life (Record Review)

The British indie rock band’s third album is short and concise but it doesn’t stop the fact that it isn’t the most cohesive nor the most out-there.
Hesse Kassel – La Brea (Record Review)

The Chilean post-rock band’s debut album owes its direction to Black Country, New Road. Yet, it thunders triumphantly thanks to subtle differences.