Marshall Mathers’s latest album is an outdated, edgy, gruelling mess of a midlife crisis album. At least his technical skills are as sharp as ever.
The Japanese rap rock group’s album is as dynamic and explosive as its most fame-hungry contemporaries even if it feels overblown in itself.
The aspiring Texan alt-pop artist gets his big start with an arsenal of sounds. Its passionate drive can reach the point of going overboard at times.
One of Britain’s best emcees turns his rap game upside down with clear rock influences – the results sees his third album be one of the year’s best.