Baroque/Chamber Pop
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The ambitious second album from the American viral musician brings a nostalgic look into ageing even if it all feels too familiar or if it lacks a certain impact in its reach to make you think about life. (3.1/5)
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Many artists have tried to meld classical composition & instrumentation to pop music with a drizzle of studio enhancement, but few can craft it into a cacophonous bastion of mythic proportion as this record did. (4.8/5)
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The anticipated third album from a notable American project by Michelle Zauner shows some lush instrumentation & mixing, but it’s ultimately a rather unextraordinary listening experience even with its immaculate first two tracks. (3.3/5)
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A combination of both baroque orchestration with Weezer’s signature appeal to memorable hooks lead to one of the band’s most solid work post-Pinkerton. (3.8/5)
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However admirable the pianos, the drumming and the string instruments are, the lacklustre lyricism & singing errs the band’s breakthrough record. (3.5/5)
GutterPutter 