Soul & R&B
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Dijon Duenas’ second solo album is as imaginative a take on R&B as Devon Hendryx or Frank Ocean. And a strong contender for the genre staple.
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The aspiring Texan alt-pop artist gets his big start with an arsenal of sounds. Its passionate drive can reach the point of going overboard at times.
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I will finally cap off the remaining 13 albums in my two-part series of my Capsule Review post for this month!
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24 albums. 24 short reviews. Here in this article, I will be looking at the first eleven records of the list that I had listened to for this series.
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Seth Nyquist’s debut has a clear downtempo feeling throughout the production-led, R&B-sung tracks. Maybe a bit too down… (2/5)
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Looking back at her streak of acclaimed records, it’s not hard to see why, behind the repertoire of covers, the singer is loved for her activism.
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To start 2022 off, this record proves to be like a grail of the past even if its introspection might come off as dull in delivery. (3.4/5)
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Despite being over a decade into his career, Drake’s sixth record is a pure example of insipid, narcissistic, pitiful pop rap. (0.9/5)
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Magnetic, prophetic, enchanting. This debut album stands well as one of the milestones for eco-pop in the future. (4.3/5)
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Many artists have tried to meld classical composition & instrumentation to pop music with a drizzle of studio enhancement, but few can craft it into a cacophonous bastion of mythic proportion as this record did. (4.8/5)
GutterPutter 