Rock
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For all the sobering reality around the festive season, Scott Hutchinson’s heartbreaks give the Pogues a run for their money.
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While it never reaches the same level of commercial appeal as its rivals, the downbeat genre’s cynicism echoes the feeling of many Americans.
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The debut album of the anonymous indie rock artist is an organically amateur treasure for its youthful angst and fuzzy mixing.
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In 2012, an Oregon-based band decides to make a tragic concept album about a struggling would-be baseball star. A decade later, it amassed a fanbase who sees it as a classic in folk punk.
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Natalie Mering’s anticipated release makes up for its weak emotional impact through sharp production. (3.7/5)
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Lounge pop might not exactly be a genre that fits the British band’s stylistic experiments like a glove to say the least. (1.3/5)
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It’s not much, but it’s a lovely indietronic tale of how it’s important to be true to ourselves and follow our dreams. (4/5)
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Throughout the 70s, Brazil has birthed some of the most innovative and enchanting art-pop and samba music in South America.
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Unrequited love is the theme as the noise pop band balances their abrasiveness with emo-like sentimentalities. (4/5)
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The race is about to begin. It might well be one of the craziest records you’ll hear this decade. (4.9/5)
GutterPutter 