Retrospective Review/Article
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Birthed from punk’s anti-establishment and status quo resistance, the subgenre’s LGBTQ+ representation is as fierce as it is riotous.
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Simply put, Elliott Smith’s third album optimises indie songwriting to favour emotive, poppy, & sophisticated perfection both lyrically & musically.
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While prog-rock is booming in the late 60s and 70s, the UK managed to concoct themselves a very jazzy & psychedelic take on it that goes beyond its birthplace.
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The final part of what is almost a year’s worth of writing around the genre of emo and its history is finally here!
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Rapping have never been this addictive in the Virginia-based duo’s sophomore opus through the Neptune’s futuristic beats & a love for the drug trade.
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Since the mid 1990s, a distinct subgenre of hip hop takes the genre’s love for dangers & threats to its most grotesque & often nightmarish extreme.
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To put it simply, this might be my biggest work yet. Covering nearly all areas around the genre of emo during the 2000s, tread it at caution due to the contents at hand.
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20 years have passed since the debut of the Strokes’ debut record, a cataclysmic shift had ensued to make sure that rock is here to stay – in mainstream or underground.
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This is the first amongst the series of blog posts that revolves around covering the history of the genre, the reputation that it has garnered & the direction that it might take in the future. The title of the series isn’t exactly the best but it’s as close to the premise as I can possibly…
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30 Years have passed since the release of Spiderland by Slint – one of the most important records for pioneering Post-Rock, for its unique melancholy takes & for its instrumental prowess thanks in part to its guitar rhythms & drumming. In 1990, a group of young adults from Louisville, Kentucky have made a post-hardcore album…
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