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JPEGMAFIA and Danny Brown – Scaring The Hoes (Record Review)

It’s weird, it’s confrontational, it’s fun. It’s a bricolage of what makes the two artists’ style utterly awesome no matter its bombastity.
Lil Pump – Lil Pump 2 (Record Review)

This album’s greatest legacy will be on how a 22 year-old star has aged worse than post-grunge itself in a span of five years.
100 gecs – 10,000 gecs (Record Review)

The hyperpop maestros are back, eschewing catchiness and electro-beats of their debut in favour of alternative diversity. With varied results.
slowthai – UGLY (Record Review)

One of Britain’s best emcees turns his rap game upside down with clear rock influences – the results sees his third album be one of the year’s best.
Under the Label – Hyperpop

Abrasive, queer, and proud, zoomers and millennials have rallied behind a digital spectacle of an outlier inside the music scene.
Capsule Reviews (February 2023): Mac Demarco, Caroline Polachek, Skrillex…

With more albums being reviewed, the first batch of this year’s Capsule Reviews will contain a series of potential favourites!
Vylet Pony – Carousel (An Examination of the Shadow, Creekflow, and its Life as an Afterthought) (Record Review)

One of the most impressive music artists in one of the biggest fandom is at her most kaleidoscopic on her latest release.
“I Like It All That Way” – Why Broken Social Scene’s ‘Lover’s Spit’ Works

The Canadian collective’s antepenultimate track on 2002’s You Forgot It in People is the ultimate gem when it comes to anti-love songs.
Parannoul – After the Magic (Record Review)

The third album from one of South Korea’s most exciting new names sees him grow up from a dreamer to a legendary auteur.
Cicada – Seeking the Sources of Dreams (Record Review)

Enchanting in its own way, the Taiwan-based ensemble’s breakthrough flows like a tranquil river in its humility.