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Goth Lipstick – I paint you, I paint you, I paint you (Full Review)
Unrequited love is the theme as the noise pop band balances their abrasiveness with emo-like sentimentalities. (4/5)
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Capsule Reviews – Fontaines D.C., Kendrick Lamar… (with an announcement regarding branching out more)
In this capsule review, we’ll be exploring a wide range of artists from hip-hop rappers to post-punk stars. There’s also some announcement to be made about plans for GutterPutter.
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Black Midi – Hellfire (Full Review)
The race is about to begin. It might well be one of the craziest records you’ll hear this decade. (4.9/5)
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Under the Label: Queercore
Birthed from punk’s anti-establishment and status quo resistance, the subgenre’s LGBTQ+ representation is as fierce as it is riotous.
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Wilco – Cruel Country (Full Review)
The mythic American band’s latest album is rather decent for an alt-country throwback, relying on Jeff Tweedy’s songwriting to carry itself. (3.2/5)
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Following Footsteps: The Interest Behind Covers and Songwriting
With how often it would be for artists to play a song from another, how did the act of covering songs become popular in the popular music industry?
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Widowspeak – The Jacket (Full Review)
Falling in line with the faux comfort of lacklustre dream pop records, the concept album feels like a fuzzy chore to lose your breath to. (1.9/5)
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Channel Tres – refresh (Full Review)
It’s groovy as a hip house record. However, it fails to offer a certain kick or a twist that could truly excite or reminisce. (2.8/5)
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The Potential You’ll Be, That You’ll Never See: The Legacy of Elliott Smith’s Either/Or
Simply put, Elliott Smith’s third album optimises indie songwriting to favour emotive, poppy, & sophisticated perfection both lyrically & musically.
GutterPutter 